Each tune's eq may seem best by itself, however if you sequence them together, suddenly one song sounds too intense (or too dull ...). Changing the eq can even everything out. Tip # 1: bear in mind that any eq modifications to your stereo mix affect the whole mix - if you wish to cut 3 db at 80Hz due to the fact that your mix sounds muddy, remember to check how that impacts all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Suggestion # 2: if you're unsure about an eq choice throughout mixdown, know that it's much easier to cut lower frequencies in mastering than to improve them, and simpler to boost greater frequencies than to cut them. Compression: In mastering, this is utilized not just to manage a mix or to add character, but likewise to "print" or send as much level to the master as possible without clipping the signal. This can almost seem like a competition for who has the loudest cd (" my record sounded great Free Type Instrumentals Trap till I listened on my CD carousel and Green Day was 5 db louder!"). Mastering engineers need to stabilize level with sonic integrity. Levels: Preferably, a listener can play your record and not have to get up to change the volume. This is attended to in mastering, after the record has been sequenced. Just then can you truly understand how levels associate with each other as one song ends and the next starts.
Spacing & Crossfading.
Spacing: there are different approaches as to how one should approach the spaces put in between tunes on a record. Final suggestion: you might be inclined to master the same recordings that you blended, whether it is for monetary reasons, innovative factors, or merely since you can. We highly advise that you get someone else to master your job.
Normal areas of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing in between songs. Or you might have 10 songs mixed by three various engineers in five different studios.
Each tune's eq might appear perfect by itself, but if you series them together, suddenly one song sounds too brilliant (or too dull ...). Pointer # 1: remember that any eq changes to your stereo mix impact the entire mix - if you desire to cut 3 db at 80Hz because your mix sounds muddy, remember to inspect how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is used not just to manage a mix or to include character, however also to "print" or send as much level to the master as possible without clipping the signal.
